Baladi Dance (Raqs Beledi)
Right now I’m currently in love with the baladi style of belly dance. I’ve talked to many people and seem to get a lot of different perspectives. For my own benefit, I’m going to attempt to put it all together. Please feel free to comment if you disagree or think I’m missing a major point. I will most likely revise this as I learn more.
Raqs Baladi
The Arabic term baladi (beledi) means “of the people.” It represents the everyday life of the people, their culture. The term itself is quite confusing as there are several contexts in which this word is used, including:
1. To represent a particular rhythm found in almost all oriental music, recognized by the structure of accents, the “dums” played on the tabla. However, it should be noted that it’s purely an American practice to associate the term baladi with this specific rhythm, the masmoudi sagheer. In other words, if you went to Egypt and asked the band to play a baladi rhythm, they probably wouldn’t know what you were talking about. Variations of the baladi rhythm include maksoum and saidi.
2. To represent a central part of the oriental dance routine known as the taqsim baladi (baladi awad or baladi tet). This is also called a baladi progression.
3. To loosely label what is currently popular (of the people)
4. To represent a common style of dance found in Egypt today. It’s the style of dance people use at haflas, weddings, at home and in dance clubs. The Egyptian people use this style when dancing to all sorts of music, including Al Jeer (pop) and Western music.
5. Raqs baladi (baladi dance) is used to represent a folkloric style of Egyptian dance, which is very grounded and earthy. Raqs baladi includes saidi, fellahin and bambootia dance. Baladi dancers wear an ankle length, baladi dress with a hip scarf. 
Baladi is the most ancient form of Egyptian solo dance. Raqs sharki or oriental dance, more commonly known as belly dance, is a by-product of this original style of Eyptian dance.
Video footage taksim baladi:
Sohair Zaki
Fifi Abdo
Fifi Abdo
Orit Maftsir
Orit Maftsir
Yasmina of Cairo and Mohamed Kazafy A beledi song, not a taksim beledi or beledi progression
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